By David E. Sharp I have a love/hate relationship with first drafts. Cue the lonely harmonica. I thrive on the rewrites. Once the structure is in place, I can go nuts with all the tweaks and edit in a constant effort to improve. I can’t even look at one of my existing manuscripts without tryingContinue reading “First Draft Blues”
By Shelley Widhalm Shelley Widhalm is a freelance writer and editor and founder of Shell’s Ink Services in Loveland, Colo. She provides copy editing and developmental editing, as well as consultations on writing and editing. She has more than 20 years of experience in communications and holds a Master of Arts degree in English fromContinue reading “Compelling, Balanced, and Exciting: Backstory Not Baggage”
By Brian Kaufman Somewhere, there is a published author who doesn’t read reviews. However, most authors are thrilled by good reviews and are despondent over bad ones. Since bad reviews are as predictable as flies at a picnic, I thought it might be helpful to look at ways to suffer a negative review.
By David E. Sharp Writing is a long journey, agreed? From the first rubbish drafts of a manuscript to the complete overhauls, the helpful but sometimes painful critiques, the line edits, the additional line edits, the queries, the rejections, the acceptance, all the way to final publication, it’s a lot of work.
By Ronda Simmons Writers spend months, even years, building the worlds where their stories take place. It’s so hard not to include every detail because let’s face it, we’re kind of proud of ourselves. We created a world!
By Brian Kaufman In my novel, Dead Beyond the Fence, headshots were a pretty big deal. The ambulatory dead kept coming unless you wallop them above the shoulders. My protagonist used a tool formerly used to open crates or pry apart boards. This prompted one kind reviewer to comment, “Kaufman is the new king of theContinue reading “Headshots. Not Only For Zombies.”
By David E. Sharp Stakes are all about what’s on the line in your story. But the only thing really at stake is your reader’s attention. It’s part of our job to readers invested in our story. If we do it well, we might even keep them on the edge of their seat.
By Ronda Simmons It’s been decades since I was a student, yet when the weather warms up, and the grass is green, I have difficulty focusing. I’m always looking for a hammock somewhere to enjoy a good read. My writing goals tend to suffer, and I would be willing to bet I’m not alone.
By Brian Kaufman The editor from a New York publisher just wanted to go to the bathroom. The author, attending a writer’s conference in Colorado Springs, blocked the way, promising to be brief. And he was straightforward, delivering his pitch, no windup. Having agreed to look at the first 30 pages of the novel, theContinue reading “A Great Pitching Practice”
By Ronda Simmons What is a palimpsest, you ask? It is defined as a manuscript, typically of papyrus or parchment, written on more than once, with the earlier writing incompletely scraped off or erased and often legible.