Headshots. Not Only For Zombies.

By Brian Kaufman In my novel, Dead Beyond the Fence, headshots were a pretty big deal. The ambulatory dead kept coming unless you wallop them above the shoulders. My protagonist used a tool formerly used to open crates or pry apart boards. This prompted one kind reviewer to comment, “Kaufman is the new king of theContinue reading “Headshots. Not Only For Zombies.”

A Great Pitching Practice

By Brian Kaufman The editor from a New York publisher just wanted to go to the bathroom. The author, attending a writer’s conference in Colorado Springs, blocked the way, promising to be brief. And he was straightforward, delivering his pitch, no windup. Having agreed to look at the first 30 pages of the novel, theContinue reading “A Great Pitching Practice”

There’s A Word for That

By Brian Kaufman We all have them. In some sort of order or disarray, a growing pile of TBR. It’s a compulsion. Getting groceries. Pick up a book. Going to the movies. Slip into Barnes and Noble while you wait. At the airport. Oooh, new best seller. Maybe during the pandemic, we’ve slowed down, butContinue reading “There’s A Word for That”

Abandoned

By Brian Kaufman Having finished two novels and grown tired of rejections, I began to write a third novel. I had a clever idea and a marvelous, operatic ending in mind. 35.000 words in, I realized I’d dead-ended. I stuck my stack of legal pads in a box (this was before home computers walked theContinue reading “Abandoned”

Thoughts on Audience: Deuxième Partie

In my blog post last month, I wrote that audience is a necessary, though problematic, consideration for the author. A quick recap—written communication changes, depending on the audience. The way you say something will depend on who’s reading. In some cases (genre fiction), audience expectations will actually shape the finished piece, from pacing to plotContinue reading “Thoughts on Audience: Deuxième Partie”

Who Are We Writing For?

An audience is the target of your communication. Written communication is an odd duck because the transmission is not immediate. When you speak to someone in person, the communication is rooted at that particular moment. The written word typically exists without a direct interface. This is important because for a connection to be made, theContinue reading “Who Are We Writing For?”

Retreating

By Brian Kaufman The year before last, I decided to try a writer’s retreat, hoping to inspire and accelerate my latest work-in-progress. My wife is a published poet, and the idea appealed to her as well. Many web packages were out of our price range, so I decided to put my own package together withContinue reading “Retreating”

The Fine Line of Writing Historical

By Brian Kaufman Though I write in multiple genres, I tend to circle back to one genre in particular. Three of my published novels are historical fiction. My first novel, The Breach, told the Alamo’s story from the Mexican point of view. That book took me three years to research, two years to write, and anotherContinue reading “The Fine Line of Writing Historical”